Remote viewing Terms

Prior Emanations: Those emanations which are responsible for the formation of cognitrons on which AOLs are based. Prior emanations, like other emanations, may be profitably decoded and objectified in Stage V.

Prompt/Prompting: To incite to move or to action; move or inspire by suggestion.

Ratcheting: The recurrence of the same AOL over and over again as if trapped in a feedback loop.

Rendering: Version; translation; drawing (often highly detailed).

Remote View: Acquire, through perception, information about a site that is at a different physical location or in a different time frame than that of the person reporting.

Remote Viewer: Often referred to in the text simply as “viewer,” the remote viewer is a person who employs his mental faculties to perceive and obtain information to which he has no other access and of which he has no previous knowledge concerning persons, places, events, or objects separated from him by time, distance, or other intervening obstacles.

Remote Viewing (RV): The name of a method of psychoenergetic perception. A term coined by SRI-International and defined as “the acquisition and description, by mental means, of information blocked from ordinary perception by distance, shielding, or time.”

Self-Correcting Characteristic: The tendency of the ideogram to re-present itself if improperly or incompletely decoded.

Sense: Any of the faculties, as sight, hearing, smell, taste, or touch, by which man perceives stimuli originating from outside or inside the body.

Sensory: Of or pertaining to the senses or sensation.

Signal: A sign or means of communication used to convey information. In radio propagation theory, the modulated carrier wave that is received by the radio or radar receiving set.

Signal Line: The hypothesized train of signals emanating from the matrix and perceived by the remote viewer, which transports the information obtained through the coordinate remote viewing process.

Sketch: To draw the general outline without much detail; to describe the principle points (idea) of.

Space: Distance interval or area between or within things. “Empty distance.”

Spontaneous ideogram: An ideogram that presents itself at any time in the session other than the initial Stage I I/A/B sequence. As with any ideogram, the A and B components should be decoded and objectified, followed by Stage IIs, etc.

Subconscious: Existing in the mind but not immediately available to consciousness; affecting thought, feeling, and behavior without entering awareness. The mental activities just below the threshold of consciousness.

Sub-Gestalt: Each major gestalt is usually composed of a number of smaller or lesser elements, some of which may in and of themselves be gestalts in their own right. A sub-gestalt, then, is one of two or more gestalts that serve to build a greater “major” gestalt.

Subjects: “Subject” is defined as something dealt with in a discussion, study, etc. “Subjects” are emanations that might serve a nominative function in describing the site, or be abstract intangibles, or they could be more specific terms dealing with function, purpose, nature, activities, inhabitants, etc., of the site.

Subliminal: Existing or functioning outside the area of conscious awareness; influencing thought, feeling, or behavior in a manner unperceived by personal or subjective consciousness; designed to influence the mind on levels other than that of conscious awareness and especially by presentation too brief and/or too indistinct to be consciously perceived.

Supraliminal: Above the limen; in the realm of conscious awareness.

Switch: The tendency of emanations in Stage V categories to switch to emanations of a different category due to various situations arising in Stage V.

Synapse: The interstices between neurons over which nerve impulses must travel to carry information from the senses, organs, and muscles to the brain and back, and to conduct mental

processes.

Tactile: Of, pertaining to, endowed with, or affecting the sense of touch. Perceptible to the touch; capable of being touched, tangible.

Tangibles: (Stage IV) Objects or characteristics at the site which have solid, “touchable” impact on the perceptions of the viewer, i.e., tables, chairs, tanks, liquids, trees, buildings, intense smells, noises, colors, temperatures, machinery, etc.

Topics: (Stage V) “Topics” is defined as a subject of discourse or of a treatise; a theme for discussion”. Closely related to “subjects,” “topics” often prove to be sub-elements of one or more of the subjects already listed, and frequently are quite specific.

(To) Track: To trace by means of vestiges, evidence, etc., to follow with a line.

Tracker: A graphic representation made on paper by a remote viewer describing the outline or contour of a site or aspect of a site, produced by a series of small dots or lines.

Unconscious: Not marked by conscious thought, sensation, or feeling.

Vertical: Perpendicular to the plane of the horizon; highest point/lowest point (i.e., height or depth).

Vision: One of the faculties of the sensorum, connected to the visual senses out of which the brain constructs an image.

Volume: A quantity; bulk; mass; or amount.

Wave: A disturbance or variation that transfers itself and energy progressively from point to point in a medium or in space in such a way that each particle or element influences the adjacent ones and that may be in the form of an elastic deformation or of a variation of level or pressure, of electric or magnetic intensity, of electric potential, or of temperature.


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